![]() Case Histories of Failure Phenomenon in Rock EngineeringĢ019 Rock Dynamics Summit contains the state-of-the-art in rock dynamics, and will be invaluable to professionals and academics interested in the latest advances in new techniques for experiments, analytical and numerical modelling as well as monitoring in dynamics of rocks and rock engineering structures. Nondestructive Testing Using Shock Waves Blasting and machinery induced vibrations Dynamic Simulation of Loading and Excavation Dynamic Response and Stability of Rock Foundations, Underground Excavations in Rock, Rock Slopes Dynamic Responses and Stability of Stone Masonry Historical Structures and Monuments Estimation Procedures and Numerical Techniques of Strong Motions Associated with the Rupture of Earth’s Crust and Some Strong Motion Laboratory tests on Dynamic Responses of Rocks and Rock Masses / Fracturing of Rocks and Associated Strong Motions The contributions cover a wide range of topics on the dynamic behavior of rock and rock masses and scientific and engineering applications, and include: Rock dynamics has wide applications in civil and infrastructural, resources and energy, geological and environmental engineering, geothermal energy, and earthquake hazard management, and has become one of the most topical areas.Ģ019 Rock Dynamics Summit contains 8 keynote addresses and 128 regular full papers that were presented at the 2019 Rock Dynamics Summit (2019 RDS, Okinawa, Japan, 7-), a specialized conference jointly organized by the Rock Dynamics Committee of the Japanese Society of Civil Engineers (JSCE-RDC), the Japanese Society for Rock Mechanics (JSRM), and which was supported by the International Society for Rock Mechanics and Rock Engineering (ISRM) and the Turkish National Society for Rock Mechanics (TNSRM). Judging from this simple assumption, silica sand amended with this stabilising agent may be an effective attenuation layer material against fluoride, even if the smaller agent content of 5 is used. Our results suggest that there is no major difference in the repair defect between TTD and XP-D and that the cancer-free phenotype in TTD is unrelated to a DNA repair defect.Rock dynamics has become one of the most important topics in the field of rock mechanics and rock engineering, and involves a wide variety of topics, from earthquake engineering, blasting, impacts, failure of rock engineering structures as well as the occurrence and prediction of earthquakes, induced seismicity, rock bursts to non-destructive testing and explorations. Ito and Katsumi (2020) reported that the concentration of F-from excavated materials in Japan rarely exceeds 23 mg/L. Importantly, mutations of the XPD gene affected both the recruitment of the TFIIH complex to DNA damage sites and the TFIIH expression. Katsumi Koike is known for Infinite Stratos (2011), Gargantia on the Verdurous Planet (2013) and Nakaimo: My Little Sister Is Among Them (2012). Moreover, accumulation of repair proteins (XPB and proliferating cell nuclear antigen) at localized DNA damage sites, detected using micropore UV irradiation combined with fluorescent antibody labeling, reflected their DNA repair activity. Katsumi Koike, Producer: Infinite Stratos. UV sensitivity correlated well with the severity of repair defects. ![]() We found that all three TTD cell strains are deficient in the repair of CPD and of 6–4PP. In this study, we determined the repair kinetics of cyclobutane pyrimidine dimers (CPD) and (6–4)photoproducts (6–4PP) in three TTD cell strains using an enzyme-linked immunosorbent assay. Although the ability to repair ultraviolet (UV)-induced DNA damage has been examined to explain their cancer-free phenotype, the information accumulated to date is contradictory. ![]() Nevertheless, unlike XP, no increase in skin cancers appears in patients with TTD. A photosensitive form of trichothiodystrophy (TTD) results from mutations in the same XPD gene as the DNA-repair-deficient genetic disorder xeroderma pigmentosum group D (XP-D).
0 Comments
![]() Soundtracks are included from the following movies:Ġ2 De Guella And The Green Leaves Of SummerĠ3 David Crockett Arrives (from: THE ALAMO)Ġ4 David Crockett's Speech (from: THE ALAMO) - Wayne, JohnĠ7 Here's To The Ladies (from: THE ALAMO)Ġ8 Ballad Of The Alamo (from: THE ALAMO) - Robbins, MartyĠ9 The Green Leaves Of Summer (from: THE ALAMO)ġ1 David Crockett (from: THE ALAMO) - Wayne, Johnġ2 The Green Leaves Of Summer (from: THE ALAMO) - Brothers Four, Theġ3 Charge Of Santa Anna: Death Of David Crockettġ5 Tennessee Babe (from: THE ALAMO) - Avalon, Frankieġ6 The Green Leaves Of Summer (from: THE ALAMO) - Avalon, Frankieġ7 Here's To The Ladies (from: THE ALAMO) - Avalon, Frankieġ8 The Ballad Of The Alamo (from: THE ALAMO) - Avalon, Frankieġ9 North To Alaska (from: NORTH TO ALASKA) - Horton, JohnnyĢ0 If You Knew (from: NORTH TO ALASKA) - FabianĢ1 Go North (from: NORTH TO ALASKA) - Horton, JohnnyĢ2 North To Alaska (from: NORTH TO ALASKA) - Horton, JohnnyĢ4 Red Wing (from: THE COMANCHEROS) - Marvin, Lee & John WayneĢ5 The Comancheros (from: THE COMANCHEROS) - King, ClaudeĢ7 The Man Who Shot Liberty Valance - Pitney, GeneĠ1 Overture (ext. This is by far the most comprehensive-ever collection of the evocative music and art that accompanied John Wayne's western movie classics! The posters are from the USA and many other countries, including Argentina, Japan, Australia, England, Germany, Belgium, France, Spain, Italy, and Sweden. The artwork captures the boldness and daring of John Wayne's West. Bann AND several hundred posters, lobby cards, and stills, reproduced in lustrous color. This set contains a 464-page hardcover collector's edition book (LP-size) that includes a biography of John Wayne by acclaimed movie historian Richard W. The bonus DVD contains trailers and exclusive behind-the-scenes footage! Plus! bonus songs inspired by John Wayne's movies, such as Frankie Avalon's The Ballad Of The Alamo, Gene Pitney's The Man Who Shot Liberty Valance, and Claude King's The Comancheros. The artists performing the original soundtrack songs include the Sons Of The Pioneers, Glen Campbell, The Limeliters, Ed Ames, Johnny Cash, Marty Robbins, and many more. This 10 CD/1 DVD collection contains the rousing soundtracks of his best-loved westerns, including 'The Searchers', 'The Alamo', 'The Sons Of Katie Elder' and 'True Grit'. 'Don't apologize,' he said in 'She Wore A Yellow Ribbon,' 'it's a sign of weakness.' That was John Wayne, and that's the John Wayne celebrated here in the music and poster art from his many memorable western movies. More than any other actor, he chose roles that glorified traditional American values and would not compromise his personal image. Thirty years after his death, the man known as 'Duke' still ranks among the Top Three most popular American film stars of all time. A bonus DVD with trailers and exclusive 'behind-the-scenes' footage!Ī man and an actor as big as John Wayne deserves a tribute like this! - John Wayne was America. Bann, AND Reproductions of hundreds of his western movie posters from many different countries! A 464-page LP-sized book with a biography by historian Richard W. All the title songs by the original artists! - Songs inspired by the movies! The soundtrack music to his never-to-be-forgotten westerns! The greatest-ever tribute to the man they called 'Duke' on the thirtieth anniversary of his death! John Wayne is gone but not forgotten - he is still among the Top Three most popular movie actors of all time. Hugh O'Brian was nominated for an Emmy in 1957 for, "Best Continuing Performance by an Actor in a Dramatic Series".10 CDs/1 DVD Box Set (LP-size) with 464-page hardcover book Near the end of the series he got "promoted" to Sheriff. They had barrels that were a foot long!īat Materson also appeared on the show, first as Wyatt's deputy. In the same way that Bat Masterson was known for his Derby and Cane, Wyatt Earp was identified by his "Buntline Special" pistols. Corral between the Earp brothers (Wyatt, Morgan and Virgil) and the Clanton gang. The final five episodes of the Life and Legend Of Wyatt Earp told the story of the famed gunfight at the O.K. It's first episode aired just four days later. Coming in at 2nd place was the series, " Gunsmoke (1955)". Previous western scripts had been written to appeal to more general audiences. The Life and Legend Of Wyatt Earp was the very first western aimed at strictly adult audiences. Doctor John "Doc" Hollidayĭespite leading a very dangerous lifestyle, the real Wyatt Earp lived 81 years! He was born in 1848 and died in 1929. ![]() It was loosely based on the real-life character and featured many other historically well-known characters, both good and evil. The Life and Legend Of Wyatt Earp TV show was a 30 minute western action series on ABC about Marshall Wyatt Earp. ![]() On the cartoon's soundtrack, the "kabong" sound effect was produced by a foley artist striking the detuned open strings of a cheap acoustic guitar. The "guitar" was usually drawn as a four stringed quatro. His introduction went as follows – "Of all the heroes in legend and song, there's none as brave as El Kabong" – As El Kabong, Quick Draw would attack his foes by swooping down on a rope with the war cry "OLAYYYYEEEE!" and hitting them on the head with an acoustic guitar (after shouting "KABOOOOOONG!") which is always referred to as a "kabonger", producing a distinctive kabong sound and usually destroying the guitar in the process. In certain cases, Quick Draw would also assume the identity of the masked vigilante El Kabong (a spoof of Zorro, known in the Spanish-dubbed version as "El Caba-Zorro" or "El Relámpago"). This aspect was made light of in the 1980s made-for-television film The Good, the Bad, and Huckleberry Hound, which featured Quick Draw. This did not stop the show's producers from depicting him riding into town on a realistic horse, or, as seen in the show's opening credits, driving a stagecoach pulled by a whole team of realistic horses. Quick Draw was himself a horse caricature who walked on two legs like a human (as did Baba Looey), and had "hands" that were hooves with thumbs and could hold objects such as guns. When he wasn't called Snuffles, Quick Draw sometimes called him dog deputy. In several cases when Quick Draw did not have a dog biscuit to offer, or if he tried to give Snuffles the reward cash for capturing an outlaw, Snuffles would either shake his head and say, "Uh-uh," or grunt to himself and mumble "Darn cheapskate!" In his first appearance, Bow-Wow Bandit, he was trying to find Quick Draw's assistant Baba Looey, who was kidnapped by a bandit that thinks that he has a tattoo of a map on his back. His character was well-intentioned, but somewhat dim.Īnother featured character was Snuffles, the bloodhound dog who would point to his mouth and "ah-ah-ah-" when he wanted a biscuit, then hug himself, leap up in the air, and float back down after having eaten one. Quick Draw satirized the westerns that were popular among the American public at the time. In the Brazilian version, however, Quick Draw speaks in a drawling Portuguese which along with his hispanized name (Pepe Legal) would suggest he was either a Texan-American or Mexican cowboy. In the Spanish American version, Quick Draw (Tiro Loco McGraw) speaks in a very English-influenced accent, and Baba Looey (Pepe Trueno, or Pepe Luis in some episodes) speaks in a very Mexican accent, so it was clear that Quick Draw was the alien, and there was no need to adapt any feature of the story. Quick Draw was often accompanied by his deputy, a Mexican burro called Baba Looey (also voiced by Daws Butler), who spoke English with a Mexican accent and called his partner "Queeks Draw". Quick Draw was usually depicted as a sheriff in a series of short films set in the Old West. ![]() ![]() To get close enough you need to use the cover provided and move between the underground tunnels. How to Beat the 16th Colossus in Shadow of the ColossusĬolossus 16 is huge and fires bombs at you. Get to the top and you'll trigger a cutscene that reveals Colossus 16, the final boss in the game. To your right as you face out are a series of discs. Through here you'll reach what looks like a dead end. When you reach a larger platform, walk along until you can go inside the tower-like structure you're climbing. Keep moving on foot, and climb up as high as you can. There's a small bridge that you must ride across, so charge across (sorry for your loss!). The door will open and you can go inside.Ĭarry on through and head up the stairs on Agro. Jump off Agro and then shine your sword into the centre of the door. Once you reach it, ride along its edge (to the right as you approach) until you see three pillars. You're trying to reach the large mountain structure in the distance - the one that looks important rather than just scenery. Keep left and ride along the valley before making a right and keeping the large mountain on your left. Make your way over to the gap in the mountain and ride through, then take a left. Head out of the temple on Agro and ride straight across the field. Now it's time to find the final colossus in the game. How to Find Colossus 16 in Shadow of the Colossus PS4 - Where is Colossus 16 You'll find walkthroughs to help you beat every colossus in the game, plus some general tips to help you get through the complete quest. If you require help defeating any other colossus in Shadow of the Colossus on PS4, head over to our Shadow of the Colossus PS4 walkthrough and guide hub. ![]() The sixteenth and final Colossus awaits you. Follow our tips and you'll be beating Colossus 16 without too many problems. Being the final boss in the game, this one takes a bit more effort to find and even more to get onto. In this guide we'll walk you through how to find Colossus 16 and how to kill Colossus 16. On top of Malus' head you'll find his only sigil - destroy it to defeat the final Colossus and complete the game.Colossus 16 is the final boss in Shadow of the Colossus on PS4. He will bring the hand you're currently riding over to the wound, allowing you to jump onto his shoulder and reach his head (F). Stab Malus' hand to get him to flatten it out, then shoot the exposed flesh on his opposite shoulder (E). Once again, jump to the hand (D) and hang on. Instead, stab the green mark on his bicep (C) and Malus will bring his opposite hand over to you. This will cause him to flatten out his hand long enough for you to regain your balance and run up his arm.ĭon't touch the glowing bands around either of Malus' arms. When you have enough stability to do so, stab Malus' hand even though there isn't a sigil present. Your attack will cause the Colossus to reach toward you - jump backward to his hand (B) and hold on tightly as Malus moves and shakes his arm. ![]() When you reach Malus' midsection, you'll find a green mark that you can stab on his lower back (A). You're too close for Malus to attack at this point, so take your time as you look for ridges and platforms to make your way up. At the end of the fourth tunnel you'll see a wall straight ahead that you can use to begin your ascent up Malus' pedestal. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |